Weird though he seems to be, Charlie Kaufman has done at least one good thing for movies. He's brought back wonder. Anticipation of a movie by Kaufman makes me wonder what new strangeness he will present. And leaving a movie by Kaufman finds me still wondering what the film is about, like Being John Malkovich and Adaptation. The title--Eternal Sunshine of the Spotless Mind--comes from a poem by 18th Century British poet Alexander Pope called "Eloisa to Abelard," and like the romance of that ill-fated couple, the movie is about the bizarre twists and turns of relationships.

        Jim Carey stars as the lack luster Joel Barish whose relationship with Clementine Kruczynski is in trouble. But when he goes to her workplace armed with a gift and an apology, she doesn't know who he is. Seems she has had her memory erased by an operation named Lacuna, check it out at lacunainc.com if you want to try it for yourself. Joel decides that two can play that game, and promptly gets his memories of Clementine erased as well, only to discover half way through the process that he doesn't want to forget the wonderful, impulsive, crazy girl who drives him insane.

        French Director Michel Gondry lets his imagination run away with ours as Joel's memories are erased in a sometimes thrilling, sometimes creepy dabbling into the human mind. It's difficult to avoid the surreal but Gondry takes us beyond Dali to create something highly believable, in a Kaufman kind of way.

        Jim Carey is quite brilliant as Joel, if brilliance can be used to describe control. There are no distracting Carey-isms in this role--the goofy faces and noises are gone--he's back to acting ala The Truman Show, without relying on his characteristic slapstick. As Clementine, Kate Winslet is also quite effective. Outshone by her incredible mainstream success in Titanic, Winslet's forte is for unusual roles where she demonstrates her skill and courage as an actor.

        I felt almost disappointed midway through the movie when I worked out what was going on with the plot, since Kaufman usually keeps me guessing. Then it dawned on me that he means for viewers to catch on. That way we're able to start to relate to the characters. Despite it's weirdness--and trust me, it's weird--Eternal Sunshine of the Spotless Mind ends up being a movie most people can identify with. It's a relationship movie without the glib plotline, but with an abundance of heart and soul that affirms the importance of mistakes in our humanity.

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