It's morals week at the movies. Two movies, of very different style and
genre, end up conveying a similar message. What really matters?
First there is the delectable Colin Firth, heartthrob of 40-year-old
women, a.k.a. Mr. Darcy in both Pride and Prejudice and Bridget Jones'
Diary. Firth plays Lord Henry Dashwood in "What a Girl Wants." There are
those who think this movie is all about cute little Amanda Byrnes who
bobs her way around Britain in your oh-so-typical pre-teen cliche movie.
And so it is Bynes bubbles her way around the film, getting her way in
everything, no matter what the cost to others. At heart, however, the
movie is about her father, Lord Henry, who has an opportunity to
re-evaluate his life when the daughter he didn't know he had suddenly
appears on his doorstep.
If I were not completely distracted by Colin Firth, "What a Girl Wants"
would be rather annoying. All the British jokes and stereotypes are
tired and the plot can basically be summed as by "as if." I really
disliked the ending. But Firth is fun. The movie's point-of-view
shifts seamlessly between daughter and father, creating the tiniest
modicum of substance that hardly sustains the movie, but at least gives
you a moment to look beyond the fluffy surface.
Then there's the ultra moralistic "Phonebooth" with another Colin, Colin
Farrell, this time, as Stu Shephard, a self-absorbed publicist who
doesn't live by the rules. He uses a phone booth every day to call his
girl friend. He has a cellphone, but he can't use that, since his wife
checks the bill.
One day in the Phonebooth, Stu becomes the victim of a sniper who wants
to teach him a lesson in morals. Like Henry, Stu has to re-evaluate his
life, his priorities, and his actions.
Phonebooth is an unusual film. Its tone is so heavily moralistic it's
oppressive. It's Seven in a phone booth, or Jiminy Cricket for the MTV
generation. The voice on the other end of the phone is loud and deeply
resonant--voices don't sound like that in phonebooths--making you think
that this is the very voice of God. Well, in a Muppet kind of way.
The other unusual aspect of the film is that almost the entire movie
takes place in the phonebooth. It's an interesting premise. And it's
quite a thriller, will no action, just pure tension and drama.
So, morals and the movies are the tone of the week. Neither film really
works for me, Phonebooth is a bit much and "What a Girl Wants" isn't
quite enough.
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